Paris exhibition of 1889 through the eyes of Russian conservatives
DOI:
https://doi.org/10.21638/10.21638/spbu27.2017.104Abstract
World exhibitions of the second half of the 19th century could not help attracting the attention of their Russian contemporaries. For the countries of catching-up development, the exhibitions were both a kind of reference point and an opportunity to either declare their cultural, economic and technical achievements, or proclaim the uselessness of them. The Paris exhibition of 1889 received much more resonance in the Russian press than all previous exhibitions. This was facilitated not only by the scale of the event, but also by its social and political context: confinement to the centenary of the Great French Revolution. For the Russian conservative press, this was an additional occasion to reflect on the prospects of Franco-Russian rapprochement.
Keywords:
Paris, World Exhibition, conservatism, journalism, Katkov, Suvorin, Lyubimov, Khruschov-Sokolnikov
Downloads
References
Литература
References
Downloads
Published
How to Cite
Issue
Section
License
Articles of "The Issues of Museology" are open access distributed under the terms of the License Agreement with Saint Petersburg State University, which permits to the authors unrestricted distribution and self-archiving free of charge.